When I graduated from the University of California Riverside I had completed 76 units in Anthropology and 32 units in Sociology. I needed only 36 units for my BS, but I was a bit of a social science zealot. It's probably obvious the extent to which that education has influenced me.
I'm beginning to look at my work as a sort of visual archaeology. Rather than digging up the past, I'm visually recording the arti-factual evidence of a contemporary society. In some cases I manage to photograph things as they are about to disappear forever or become rarer that they already seem to be.
As I was on my way to the office this morning, about 7:15, before the sun had actually topped the East Bay hills, I spotted this young red tail hawk eating a pigeon on the sidewalk in front of Davies Symphony Hall.
I had already been shooting a bit as I walked along and quickly grabbed a couple of shots of the hawk, expecting it to take off as soon as it noticed me looking at it. But actually it could have cared less what I was doing. I had a single lens with me, a 24mm f/2.8, not exactly the right lens for shooting wild life, urban or otherwise. The light was dim, the lens too wide and the shutter speed too slow, but I decided to work it anyway.
Trying not to look directly at the bird, I inched closer and closer with little shuffling side steps, shooting a frame each time the bird looked away or went back to tearing at the dead pigeon. I shot two thirds of a long roll of Portra 400NC in this fashion while several people walked past never giving me or the hawk a glance. At least six people walked by never noticing that any of this was going on.
In 1988 David moved to the San Francisco Bay Area to begin his career in photography, taking a job as a photo researcher at Mountain Light Photography. Since then, in addition to freelancing, he has worked as a studio/darkroom assistant, print finisher and in the late 1990s was Picture Editor at StageImage. For the past several years he has focused on personal projects documenting the social context of the urban environment. He lives in Reno, Nevada with his wife, the painter, Anna Conti.