Monday, December 17, 2012
I've never liked the 50mm lens. I've tried. I even own a few and put one on a camera now and then.
I know, it's the 'standard' lens. So many of the legends have used it to great effect. But I don't like it.
Our natural human vision takes in more, sees a wider angle of view than a 50mm lens allows. I want that wider view in my images. I'm a 28mm shooter because that's the way I see things.
I shoot wide and close. I try to keep my subject in a proper context by shooting this way. It's natural to me. It feels right, it looks right. That's my vision.
Photo: ©2012 David W. Sumner
Saturday, December 8, 2012
“Defining Your Vision” January 12th 2013
As a photographer, defining your personal vision is much more than finding a style. Both vision and style take a long time to develop and only find root in the fundamental understanding of what we are actually seeing when we view the world around us.
A long practice of focused, critical seeing is the way to discover what attracts us to a particular scene or image. Only when you understand the attraction can you begin to shape your personal vision.
It is this process of critical seeing that we will begin to explore in this one-day, six-hour workshop, “Defining Your Vision.”
We will begin this exploration by spending some relaxed time viewing photography and painting in the galleries of SFMOMA. You’ll experience a method of seeing that will help you identify the elements (emotions, color, light, line and form) that resonate with you. As we look at the imagery, we will make brief notes, often a single word that describes the essence of the piece, an emotional response to it, an impression of its graphic impact or its use of color.
Next we will meet for a guided discussion of our experiences with the art and our responses to it. With this information, we’ll take to the streets to spend two hours freely shooting images as we make our way from the Financial District to North Beach.
Meeting up in North Beach, we will talk about our experience shooting on the streets: What scenes we were attracted to, how we saw them, what influenced our seeing, and what we observed that was new to our seeing.
What you will learn:
- The difference between looking and seeing that will define your vision.
- Identifying the essential elements necessary to help achieve your vision.
- How to better express your personal vision through a practice of critical seeing.
January 12, 2013
11:00am – Meet in the atrium of SFMOMA (151 3rd Street). Introduction & brief instruction
11:30 – 1:00pm – View art to make notes of impressions or inspirations
1:00 – 2:00pm – Meet on the 5th Floor Roof Top Garden for discussion & brief instruction
2:00 – 4:00pm – Photo walk (individually or in groups)
4:00 – 5:00pm – Meet up at Caffe Greco for discussion & wrap up
What to bring:
A camera – film or digital, SLR or point ‘n shoot
A small notebook or sketchbook
A San Francisco street map
(You may want lunch during the ‘photo walk’ portion of the workshop so be prepared to buy your own lunch along the way or better yet pack a brown bag)
$70.00 per person (Includes admission to SFMOMA)
Fees are refundable up to 48 hours prior to the workshop.
(Space is limited to 5 people per workshop)
To register for this workshop email your name and address to: firstname.lastname@example.org
Your registration will be confirmed once your payment is confirmed.
Use the Buy Now button below to secure your space in this workshop.