Its' good to slow down. As a rule I don't rush things, but sometimes I find I get so comfortable with a particular habit of working that I find I'm not taking the time to pay close attention to what I'm doing. There are times I think that habit is a detriment to my work. So occasionally I try to shake things up a bit, challenge the usual routines.
The other day I bought some silver based B&W film. The stuff I shot for twenty years before switching to a chromogenic B&W film. Just loading it into my forty year old Nikon F had a completely different feel. I dug out a #10 orange filter and my hand held light meter and went out for a walk. For a few minutes it was as if I was rediscovering photography all over again. It was fresh.
I messed up some frames when I didn't read the meter properly. It took some remembering and getting used to, but it didn't take long to get into the groove.
No auto modes, no auto advance, no perfectly, computer calculated exposures. It was just me thinking through the steps, making decisions, deciding just how I was going to put that light to that silver.
"In order to make the "documents for artists" that the sign outside his door advertised, Atget had to consider what types of photographs would be useful to artists as source material. His clientele included textile designers, wallpaper designers, and painters, all of whom could have found this image of roses in bloom quite valuable."
I've been digging through the old stock image files and I thought it would be fun to post a series of images focused on a coastal theme.
Keep in mind these images were intended for magazine publication and one had to always be conscious of the fact that type would likely be placed somewhere in the image. So placing some good, clean, negative space in the frame was important.
"We know more than we say…We tell those things that we feel have a chance poetically of fitting back into life." - Emmet Gowin
I'm embarrassed to say I only learned of Emmet Gowin today. An inspiration to anyone pursing a creative life and a photographer of considerable intellect and wisdom, Gowin recently retired after 30 plus years teaching at Princeton.
Articulate both visually and verbally, I found this interview clip from the 1980s rather moving and in fact profound.
I'd encourage any photographer who has yet to discover the world of Emmet Gowin to begin the exploration today.
Here are some links to other interviews and articles
You know the old saying, "A picture is worth a thousand words." Well I've often wondered about that. I've seen photos that have left me speechless. No words come to mind that can communicate the power or drama expressed in some photographs. I figure those images are worth more than any number of words.
And there are images that seemingly tell a story, but what exactly that story is isn't always clear. The image above is a good example. What's the story here? I was there, I know what time it was, I know where it was, I know what happened just before and just after I snapped the shutter. I could tell you the story. But what story is this image telling by itself?
That's the real power of photography. It's not just about telling the truth or exposing the lies. It's about speaking a visual language that transcends all verbal communication. That's the power we wield when we pick up a camera. It's also the responsibility we bear as photographers.
In 1988 David moved to the San Francisco Bay Area to begin his career in photography, taking a job as a photo researcher at Mountain Light Photography. Since then, in addition to freelancing, he has worked as a studio/darkroom assistant, print finisher and in the late 1990s was Picture Editor at StageImage. For the past several years he has focused on personal projects documenting the social context of the urban environment. He lives in Reno, Nevada with his wife, the painter, Anna Conti.
